On-Camera Workshop

Monet Studios

This is a follow-up of what we cover in class. Links, resources, and reference images.

Self Tape Equipment

Feel free to contact me with any questions.

Books

This literature is at the core of my education in cinematography. I don’t think you need to buy or read these!

  • Cinematography Theory and Practice

  • Set Lighting Technician's Handbook

  • John Berger's book: ways of seeing

1. Lenses + Shot Direction

Framing

  • Close Up

  • Medium - Close Up 

  • Medium 

  • Cowboy (includes enough thigh to show the holster of a gun) 

  • OTS (less movement on person near camera)

  • Wide shot/ long shot. (full body)

Crop mid limb. Don’t crop at joints!

Framing sample: The Good, the Bad, and the Ugly

Connecting your performance to the camera

How Marlon Brando Changed Acting: https://youtu.be/-L6OGruW9i4

"You must fight the tears. And when you fight the tears, the audience will cry for you." Michael Caine

Index Vectors

Cinematographer interview with John Seale, "This was the formula that was punched into us, The goodies always go left-to-right and the baddies always go right-to-left.” Spotify Link: Team Deakins: John Seale - Cinematographer


Michael Caine: Looking into the near eye of your scene partner with your far eye, additional option Link 2

2. Lighting/ Self Tapes:

Far side/ reverse key light. More pleasing than a nearside key. See sample photos below.

Self Tape Camera Perspective

“What movie am I making relating to tone and style?”

“Who is with me in this scene?”

“What the camera perspective represents”

Examples of daring audition tapes

Josh Brolin Audition

Dacre Montgomery Audition

Acting reference: Meryl Streep and Jeremy Irons story as told by Edward Norton. Spotify Link:  Off Camera with Sam Jones: Edward Norton

3. Conversations on Set with a Director of Photography

  • The camera is an extension of your performance. Blocking, perspective, lighting, etc

  • Actors should know if a DP gives you a piece of direction, it’s in service to the actor 

  • Asking the AD for privacy, to clear your eye line

  • Finding your light. Take a look at how lighting plays on your face,

  • Be aware of the size of the frame.

  • Asking your make-up artist for an opinion and eyes on the monitor. Intermediary to DP

4. Know the Lens and Hit Your Marks 

Hitting your marks example. Camera framing and moves. Sample from Jaws

Wide lens, close up. Emma Stone in Birdman

Know your lens, Tom Cruise on Jack Nicholson

Personalized help WITH your set up

If you would like help with your self tape set up, dialing in camera and lighting, I offer these rates:

$100 1 hour over Zoom

$200 1 hour in person